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Date : 1986-01-01
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The Language Electroacoustic Music Simon Emmerson ~ The Language of Electroacoustic Music represents a unique entry to the field of electroacoustic music literature To my knowledge it is the first book to devote itself solely to aesthetic questions in this area and in doing so it represents some of the most advanced and stimulating thinking in the field today Ronald Perera
The Language Electroacoustic Music Simon Emmerson ~ The Language of Electroacoustic Music represents a unique entry to the field of electroacoustic music literature To my knowledge it is the first book to devote itself solely to aesthetic questions in this area and in doing so it represents some of the most advanced and stimulating thinking in the field today Ronald Perera
The Language Of Electroacoustic Music by Simon Emmerson ~ The Language Of Electroacoustic Music book Read reviews from world’s largest community for readers
The language of electroacoustic music Book 1986 ~ The Language of Electroacoustic Music represents a unique entry to the field of electroacoustic music literature To my knowledge it is the first book to devote itself solely to aesthetic questions in this area and in doing so it represents some of the most advanced and stimulating thinking in the field today
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The Language of Electroacoustic Music SpringerLink ~ Since the inception of electroacoustic music in 1948 much has been written about technical developments This book is one of the first to examine aesthetic issues central to this rapidly developing genre It brings together composers from leading academic departments and studios in Britain the United States
The Language of Electroacoustic Music Google Books ~ acoustic music acoustic space aesthetic ambiguous approach articulation aspects audio art become behaviour Boulez CCRMA complex composer composers composition computer music computer music system concepts context continuant create Denis Smalley electroacoustic music electronic music elements environment example exist experience exploration fractal function gesture harmonic human idea images inharmonic interaction interpretation invention IRCAM landscape listener loudspeakers Luc Ferrari
Electroacoustic Music is Not About Sound NewMusicBox ~ Paradoxically music focusing on Language may create an Image and music focusing on Image may develop a Language too Those “electroacoustic” juggernauts I prefer “rock” because its more colorful and expressive Led Zeppelin were inspired by the Image of a song by the band Spirit to create their opus Stairway to Heaven
Electroacoustic music Wikipedia ~ Electroacoustic music is a genre of Western art music in which composers use technology to manipulate the timbres of acoustic sounds sometimes via processing with audio effects such as reverb or harmonizing
Electroacoustic Music Synergy by Mantas Savickis ~ Electroacoustic music originated in Western art music around the middle of the 20th century following the incorporation of electric sound production into compositional practice
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